Arts

Schubert began composing a Symphony in the key of B Minor on October 30, 1822…. and then—sometime in late November or early December of 1822—just stopped and left the symphony “unfinished”, never to be completed. […]

“Whether regarded as an evil confidence man, or as a brilliant marketer and strategist—as remarkable as the star he managed—no figure in all of entertainment is more controversial, colorful, or larger than life than Tom Parker.” […]

The first 33-1/3 rpm records offered no significant sonic improvement over the 78 rpm records that were standard at the time, and despite the fact that more music could be packed onto a disc spinning at 33-1/3 rpm, the new technology eventually fizzled. It wasn’t until 1948, when Columbia/CBS introduced a vastly improved 33-1/3 rpm LP that the new technology took off. […]

A very few critical codswallops aside, Sgt. Pepper’s was almost universally acclaimed for the quality of its songs; for it’s amazing innovations in musical production; and for its cover, which was designed by the English pop artists Jann Haworth and Peter Blake. […]

By 1935, Partch’s “gamut”—his 43-pitch octave—was in place and he was building instruments capable of producing those pitches. But claiming that the whole damned musical establishment—which either ignored or made fun of his music—was hum-bug, Partch again “dropped out” and chose to live a life that most folks there during the Great Depression did everything they could to avoid: he chose to become a hobo. […]

Today we recognize the birth and the death of two musical masters from entirely different times and places who nevertheless, by the most extraordinary of coincidences, share the same nickname: the jazz tenor saxophonist Lester “Prez” Young and the Franco-Flemish composer Josquin “des Prez” Lebloitte. […]

Peri must receive the credit because of his invention of something he called the “stile recitativo”—“recitative style”: a way of setting dialogue to music that differentiated it from song (or aria).  […]