Cheese wheels on wood
News

Classical Music, Hip-Hop Affect Flavor of Cheese, Scientists Say

April 2, 2019

Swiss researchers have studied the effects of sound waves on the flavors of cheese, according to a Reuters article. Surprisingly, cheese that listened to A Tribe Called Quest produced the most highly-rated flavors in a blind taste test. How does this test pass or fail the standards of scientific experimentation? […]

photograph of the Paris Opera
Uncategorized

Music History Monday: Francis Poulenc: a votre santé!

January 7, 2019

His engaging thematic surfaces, relatively angst-free expressive content, his humor and often-cheeky Gallic insouciance, and his adherence to tonal centricity together create a body of music that I actually enjoy listening to, for the sheer pleasure it provides. […]

detail of portrait of Franz Schubert
Music Appreciation

Music History Monday: Buried Treasure

December 19, 2018

Schubert began composing a Symphony in the key of B Minor on October 30, 1822…. and then—sometime in late November or early December of 1822—just stopped and left the symphony “unfinished”, never to be completed. […]

Photo of colonel Tom Parker and Elvis
Music Appreciation

Music History Monday: The Colonel

September 25, 2018

“Whether regarded as an evil confidence man, or as a brilliant marketer and strategist—as remarkable as the star he managed—no figure in all of entertainment is more controversial, colorful, or larger than life than Tom Parker.” […]

close up on the needle of a record player playing a 33 1/3 rpm LP
Music Appreciation

Music History Monday: I Don’t Know about You, But I’ve Always Wondered about That

September 17, 2018

The first 33-1/3 rpm records offered no significant sonic improvement over the 78 rpm records that were standard at the time, and despite the fact that more music could be packed onto a disc spinning at 33-1/3 rpm, the new technology eventually fizzled. It wasn’t until 1948, when Columbia/CBS introduced a vastly improved 33-1/3 rpm LP that the new technology took off. […]

Black and white photograph of the Beatles, background cropped out
Music Appreciation

Music History Monday: Still Number One in Our Hearts!

September 10, 2018

A very few critical codswallops aside, Sgt. Pepper’s was almost universally acclaimed for the quality of its songs; for it’s amazing innovations in musical production; and for its cover, which was designed by the English pop artists Jann Haworth and Peter Blake. […]

Photograph of Harry Partch's instrument the quadrangularus reversum
Music Appreciation

Music History Monday: One of a Kind!

September 4, 2018

By 1935, Partch’s “gamut”—his 43-pitch octave—was in place and he was building instruments capable of producing those pitches. But claiming that the whole damned musical establishment—which either ignored or made fun of his music—was hum-bug, Partch again “dropped out” and chose to live a life that most folks there during the Great Depression did everything they could to avoid: he chose to become a hobo. […]

Lester Prez Young playing the saxophone
Music Appreciation

Music History Monday: Josquin and Lester

August 29, 2018

Today we recognize the birth and the death of two musical masters from entirely different times and places who nevertheless, by the most extraordinary of coincidences, share the same nickname: the jazz tenor saxophonist Lester “Prez” Young and the Franco-Flemish composer Josquin “des Prez” Lebloitte. […]

Illustration of Jacopo Peri with harp
Music Appreciation

Music History Monday: Firsts!

August 21, 2018

Peri must receive the credit because of his invention of something he called the “stile recitativo”—“recitative style”: a way of setting dialogue to music that differentiated it from song (or aria).  […]

Photograph of polymath Sir George Grove
Music Appreciation

Music History Monday: My Favorite Things!

August 13, 2018

It didn’t take long for Grove’s Crystal Palace concerts to become an essential fixture on the London music scene. George Grove wrote the program notes for the concerts, notes that were embraced by the concert-going public for their plain, understandable, non-technical language. […]

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