The Three Kingdoms Period: China’s Golden Age of Adventure

From a lecture series taught by Professor Kenneth J. Hammond, Ph.D.

By the latter part of the 2nd century, the Han dynasty ceases to be a very functional political entity. Eventually, in the year 220, the last Han emperor is set aside, and the country breaks up at that point into three successor states: Shu Han, Wei, and Wu. This sets up a very short but fascinating age in China’s early history that spans from 222 to 265 and is known as the Three Kingdoms period.

Three Kings, Three Kingdoms

portrait of Liu Bei, founder of the Shu Han Kingdom in the Three Kingdoms Era of China
Liu Bei, founder of the Shu Han kingdom

Liu Bei, a member of the imperial Liu family, sets up a kingdom called Shu Han. Shu is an ancient term for the area of Sichuan; and Han obviously implies that this is a continuation of the Han dynasty.

Learn more: China’s Early Golden Age: The Han Dynasty

image of Cao Pei, Cao Pei , founder of the Wei kingdom in the Three Kingdoms era of China
Cao Pei , founder of the Wei kingdom

In northern China, a man named Cao Pei founds a kingdom called Wei. Cao Pei is the son of a man named Cao Cao, who was the adopted son of a eunuch. Cao Cao is one of the many people who have been contending for power under the final decades of the Han, and he carves out a large territory in north China under his control. He also dies in 220, and it is his son Cao Pei who sets up the kingdom of Wei.

picture of Sun Wu, founder of the Wu Kingdom, during the Three Kingdoms era in China
Sun Wu, founder of the Wu Kingdom

In southeastern China, a third state is formed, ruled by a man called Sun Wu. The state itself is also called Wu; that’s a traditional ancient historical name for that part of China.

Celebrating Military Deception

What makes the Three Kingdoms period so fascinating, so interesting, is that it becomes an age of great heroism and romance. It is looked upon by later Chinese as a golden age, not a golden age of good government or of flourishing poetry and art, but an age of great adventure.

Zhuge Liang, a General in the Shu Han Kingdom, is often held up as an exemplary figure in the stories of The Three Kingdoms

The reason for this is, in part, because the heroes of this period are not the kinds of scholars, political officials, or emperors who are portrayed as the great culture heroes in later times. These are military men, noted not for their strength or for their ability to crush their opponents, but for their cleverness and wit. This is an age in which deceiving your enemy, outwitting your enemy, winning fights by not fighting are considered to be the great talents, the great successes, the great accomplishments of the heroes of the age.

One particularly fascinating figure was Zhuge Liang. Zhuge Liang was a general—he never becomes a ruler, he never seems to have had the ambition of seizing power for himself—but he comes to be known as one of the greatest strategists in Chinese history. Cao Cao and Zhuge Liang are often held up as the great exemplars of clever strategy.

Learn more: China: Born in Isolation

Straw Boats Borrow Arrows

The stories of these men are remarkable for their cleverness. In one instance, a general has brought his army to the south, and they’ve camped on the bank of a great river. Their army is on the northern bank of the river; on the southern bank of the river are the enemy’s forces. The army on the northern bank of the river is far from home; its supply lines are extended. If they can inflict a decisive defeat on their enemy at this point, they may gain everything. It’s a critical moment. But they’re in a tough spot because in the fighting that has gone on up to this point, they have used up almost all their arrows. Bowmen, archers are a critical component of warfare. If you don’t have arrows, your archers aren’t going to be very useful. What to do?

Learn more: China’s Dynasties and Influence

If you don’t have arrows, your archers aren’t going to be very useful. What to do?

They decide to take advantage of a particular circumstance in their location, which is that this river that flows between the two armies in the evenings tends to become covered with fog. It’s a time of year when at night, the air cools down and the air rising from the river condenses and you get a thick layer of fog over the river. They go upstream and they commandeer boats as they go along. They take all these boats, and then in the boats, they build dummies. They make little mannequins out of straw, and they put uniforms on these mannequins, and then they tie the boats together, and they push them out into the stream, and they float downstream in the evening, just as the fog is descending on the river. On the southern bank, the sentries are very alert, they’re watching out, and they know that particularly under the cover of fog is a dangerous time because the enemy on the north bank may try to slip across the river and attack, so they’re very much on the alert.

image of Zhuge Liang's army collecting arrows from their enemy during a three kingdoms battle
Zhuge Liang’s army collecting arrows from their enemy

They see, coming down the river through the fog, these boats, and in the boats—they can’t see very clearly because of the fog—but they see all the soldiers lined up, waiting to attack. They think, “We’ve figured out their clever strategy, and they’re trying to sneak up on us in the fog,” and so they unleash a hail of arrows on these boats. Of course, the arrows stick in the straw dummies. On the north side, they haul the ropes in, they draw the boats back and they’ve resupplied themselves with the arrows they needed to carry on the campaign. This sort of story becomes legendary, and it’s passed down. Straw Boats Borrow Arrows is the title of it.

Learn more: 260–110 B.C. China—Struggles for Unification

A Clever Game of Chess

“We found Zhuge Liang. He’s in this town and if we attack right away, we can defeat him.”

There is another example, and this one involves Zhuge Liang. He’s sent out to control a certain territory. He has a large army and he has a little advance party. He has led the advance party to occupy a particular town. His main force is probably two or three days’ march behind him. At this point, the enemy army is approaching. The enemy army is only about a day’s march away. They’ve sent their scouts out ahead and they are checking out the situation. They come up onto the ridge outside of this walled town. They spy out and they see Zhuge Liang’s forces, but it is just his little bodyguard. They are delighted so they ride back and tell the commander, “We found Zhuge Liang. He’s in this town and if we attack right away, we can defeat him.”

Learn more: The World of Chess

Well, Zhuge Liang is no fool. Of course he has had his own spies out and they have detected the approach of the enemy. His advisors come and they say, “We’ve got to get out of here. The enemy is just over the hill, and they will be here in a matter of hours. We just have our little detachment, so we must get out of here.” Zhuge Liang says, “I really feel like playing some chess.” He calls to his second in command and he says, “Let’s go play some chess.” They go up on the city wall. Right over the main gate, there is a little terrace there and they set up a table, sit down in a couple of chairs, and they start to play a game of chess. The other commanders are all very upset. They say, “What are you doing? We need to get out of here. The enemy is coming.” “No, don’t worry about it. In fact, open the gates to the city and let’s have the market take place as usual. Have a squad of soldiers go out and march up and down outside. That will be enough.” The commanders are appalled, but they follow their orders, open the city gates, traffic is going in and out, and business is going on as usual. This one little squad of soldiers is marching up and down.

The enemy army retreats while Zhuge Liang (top right wearing a crown) plays chess on top of the city gates

The enemy commander comes with the advance party of his forces and they come up on the hill near the town. They look down and his scouts say, “See? We told you. Here’s Zhuge Liang. We have a chance. He doesn’t know we are here. We have a chance to defeat him and capture him.” The commander looks very carefully and he sees Zhuge Liang playing chess up on the wall and here’s this little group of soldiers marching and the gates are open. It’s obvious that he is completely defenseless.

Learn more: Chess Psychology and the Known Unknown

The commander thinks for a minute, and he orders the army to withdraw. His subordinates ask, “What are you doing?” He responds, “Zhuge Liang would never allow himself to be in this sort of situation. This is obviously a trap. We know how smart he is, he must have his forces concealed nearby. As soon as we attack, we’ll be destroyed. Our only hope is to run away.”

Great Stories of the Three Kingdoms Period

By a clever deception, by appearing to be unconcerned, Zhuge Liang convinces his opponents that he is invulnerable, when, in fact, he could have been captured easily.

These kinds of stories are the ones that become characteristic of the Three Kingdoms period. They are written down, there is poetry about them, and they become the subject of plays and operas.

There is a great romance novel called The Romance of the Three Kingdoms that evolves over the centuries and becomes one of the great bestsellers. If you spend time in China today and turn on any TV show on any night on any channel, you are likely to see dramatizations of stories of the Three Kingdoms.

Keep Reading:
Yin and Yang of Classical Chinese Cuisine
The Pedagogy of Confucius

From the lecture series From Yao to Mao: 5000 Years of Chinese History
Taught by Professor Kenneth J. Hammond, New Mexico State University
Images Courtesy of:
Straw Boats and Arrows: By Shizhao (Own work) CC BY-SA 3.0, via Wikimedia Commons
Zhuge Liang plays chess: By 三猎 (Own work) CC BY-SA 4.0, via Wikimedia Commons

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